Teaching Traditional Ghanaian Dance Forms in Higher Education in the Diaspora

Abstract

This article focuses on five ideas—the five C’s—which are the need to create a comfortable environment that will provide a support base for students to build confidence in their movement capabilities, encourage them to get involved in teaching and learning through the creation of community, and providing feedback in the form of comments and compliments to the entire class. It then concludes with a few suggestions for teachers who are engaged with the pedagogy of Ghanaian dance forms at the tertiary level. © 2022 SHAPE America.

Author(s)

Ayi, Beatrice Tawiah

Year

2022

Countries

Ghana

Language

English

Research Method

Qualitative

Article Type

Peer-Reviewed Articles

Keywords

Higher education | Teaching methods | Arts education | Excel Import

Full Citation Style

Ayi, Beatrice Tawiah (2022). Teaching Traditional Ghanaian Dance Forms in Higher Education in the Diaspora. Strategic Research Journal. https://doi.org/10.1080/07303084.2022.2020056
Ayi, Beatrice Tawiah, 2022. Teaching Traditional Ghanaian Dance Forms in Higher Education in the Diaspora. Strategic Research Journal. Available at: <https://doi.org/10.1080/07303084.2022.2020056>
Ayi, Beatrice Tawiah. "Teaching Traditional Ghanaian Dance Forms in Higher Education in the Diaspora." Strategic Research Journal (2022). https://doi.org/10.1080/07303084.2022.2020056
Tawiah AB. Teaching Traditional Ghanaian Dance Forms in Higher Education in the Diaspora. Strategic Research Journal. 2022; https://doi.org/10.1080/07303084.2022.2020056

Research Team

Ayi, Beatrice Tawiah

Ayi, Beatrice Tawiah

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